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Around a sculpture by Alberto Giacometti
Around a sculpture by Alberto Giacometti

Georges Didi-Huberman, Mira Fliescher (ed.), ...

The Cube and the Face

The Cube, as we can see, isn’t one. It is an ­irregular polyhedron which catalogues describe as having twelve sides — that nice figure, twelve, a destinal figure if ever there was one, which willfully evokes Mallarmé’s throw of the dice, at the very moment that the clock strikes twelve at midnight, in the dark house of Igitur. One can imagine that Giacometti wanted to give a unique volume to the twelve facets — six and six — of two cubes added together: a unique architecture...
  • face
  • Alberto Giacometti
  • abstract art
  • art history
  • art theory
Current Texts

Dieter Mersch

Digital disrupture

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result in a circularity that leaves the drawing of boundaries and raising of barriers solely to programming, instead of restoring them to our ethical conscience and understanding of what the social could mean today. The machine, by contrast, remains alien to any mechanical limitation—just as its inability to decide lies in the impossibility of self-calculation. The nucleus of digital culture should instead be sought where the cultural of culture is located:...

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Haifa’s architectural modernism
Haifa’s architectural modernism

Ines Weizman

The Architectural Casino

The Bat Galim Casino marks the point of connection for stories whose threads run along intercontinental channels to the French-American performer Joséphine Baker, while another narrative thread follows the hearing-impaired Viennese architect Adolf Loos and some of his clients, who emigrated to Haifa, highlighting the story of how home-sick migrants aimed to recreate a piece of Europe in Palestine. Weizmans encounter with architect and filmmaker Amos Gitai leads to a deeper investigation of the story of his father, Munio Weinraub,...
  • Middle East
  • history of architecture
  • memory
  • Israel
Current Texts

Zoran Terzić

Everything new is a pose in the alcoves of capital

In the late nineteenth century Alfred Jarry created a prototype of the modern wannabe in his pot-bellied Père Ubu, a figure that raises entitlement to a high art. Ubu doesn’t want to be king; others urge him to it. But he is also the others. And when he does become king, CEO, or US president, he doesn’t know what it means, or if it means anything at all. He just states his claim. And so he shimmies from statement to power. And having obtained power, Ubu decerebrates the world, exposing the grounds for groundlessness, to paraphrase Ortega y Gasset. Ubu is a tautomaniac, that is, he can be explained in his own terms and is thus always in the right (being in the right is all he is). He needs no proof, but on the contrary wants “to turn the absurd into the highest power of thought” (Deleuze & Guattari)....

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Current Texts

Mengia Tschalaer

The sexual asylum story

Successful asylum claims generally require generating a racialist, colonialist discourse that impugns the nation-state from which the asylum seeker comes. While to impugn the asylum seeker’s place of origin may well be a necessity for the purpose of asylum, it is problematic if it serves to confirm the moral and political superiority of the West through the myth of the ideal victim. In order to avoid the cookie-cutter victimhood framework that refers to idealizations around “Us” and “Them,” Europe must adopt a reflexive approach to queer asylum that allows for recognizing its own stereotypes in regard to homosexuality, race, and gender, so as not to reproduce colonial and imperialistic narratives of vulnerability, sex, and desire through Eurocentric asylum regimes.

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  • queer theory
  • identity
  • performativity
  • migration
  • gender